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Magikal Realism

"Magikal Realism is an online community showcasing new writing and artistic talent. Established by two Cambridge students (Sanjay and Jac) the site seeks to condense contemporary creativity. The aim is to publish an anthology in the near future."

About

"Sanjay's poetry collection, 13 songs can be found here, as can Jac's short fiction. This is also the home of the webcomic Literary Delusions, which has moved to a Monday - Wednesday - Friday update schedule. Please feel free to add comments or link to us. Furthermore, we are always on the look out for new contributors."

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    Why Him? (by Mark Zacharias) Friday, June 22, 2007 |

    I have often rippled those waters with tears of frustration,
    my whimpers drowned out by cries
    Of those fresh to their plight.
    The blind, the lame, the paralysed –
    We lay there as casualties of a war
    in which we'd never agreed to fight.
    We gathered in hope,
    we lay there in expectation
    in fear
    in desperation.

    And then we heard of his approach.

    Was it he that had turned well water into fine wine
    at a wedding, a while back?
    Hushed rumours of his powers had reached us before,
    but I wasn't buying it.
    I've seen others like him come and go over the years,
    promising it all
    but, like us, helpless in the face of brokenness.
    Forgive me for not holding my breath
    when the whispers started
    but I'd rather place my faith in a swirling pool
    than in one of God's bearded politicians.

    Despite misgivings, I admit to being struck
    by this itinerant preacher;
    he saw us with different eyes, I swear I could see
    a storm of anger brewing
    under that compassionate gaze.
    Countless hours spent at the water's lip
    now blurred to nothing,
    and like everyone else, I pleaded with him

    for consideration, for mercy
    for whatever he could spare.

    No-one heard him stoop to ask,
    without the cadence of irony
    near-mocking words: 'Do you want to get well?'

    Does the starving man crave food?
    Does the barren woman long to give life?
    Who looks upon a helpess cripple and asks callous questions?
    Here, we sit and endure,
    rejected and degenerate,
    awaiting redemption only death brings.

    'Well then, get up! Pick up your mat and walk!'

    But still I lay there, watching
    in wonder, in longing, in jealous rage
    as the cripple did just that -
    thirty-eight years spread on a mat,
    now he stood up and skipped away.

    But why not me?
    What about the rest of us?

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    Mark Zacharias |


    First submission to Magikal realism!

    Mark Zacharias describes himself as 'Twenty-something suffering middle-aged spread and pensioner's stamina. English teacher to Harlesden, Neasden and Wembley's finest. Nicknamed 'The Angry Growler' thanks to an unfortunate ressemblence to a walrus' unshaved privates. Changing passions but a long-term commitment to travel, experience, wine, women & the Word (not the Terry Christian programme of old). Somewhat Jacobean in my wrestles with God but no dodgy hip to show for it yet.'

    His first contribution to the website is a poem. It is based on John 5:1-9, and is a response to the moral ambiguity of healing. It is somewhat reminiscent of Gerard Manley Hopkins, a Victorian priest and poet, much of whose work struggles with reconciling his faith with the bouts of depression and illness. Mark appears to be attempting something similar with his Why Him? Enjoy!

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    ‘Be young, be foolish, be happy’ (Cobb, Whitley) - 2:06 Thursday, June 21, 2007 |

    Finger the dust off the old photos
    And remember friends you vowed
    Never to forget, to love
    With all your heart. Contrary
    Concerns, jobs, the Tube
    Put tearful promises
    Earnestly made in drink and romance
    Into a dog-eared box in the attic,
    Squashed by the children’s rugby socks.
    You said you’d protect them;
    These ones you cooked with,
    Cried with in the calm,
    Through the storm of life.
    This is the promise you made,
    That every phone call
    Would be a prayer to the One
    That would never leave them,
    The stopper in the skeins that
    Hold us together.

    Their names are the scrawl on yearbooks,
    The accessories of the happiest memories
    From when you were young, attractive.
    These are the men you swore you’d
    Drink with in twenty years
    In suburban cricket clubhouses,
    These are the girls in silk dresses that you
    Promised your heart to, show me them,
    Give them this message:
    ‘I have not forgotten you,
    To me you are beautiful.
    I have lived because of you’.

    Sanjay

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    Sparks (Martin, Berryman, Buckland, Champion) – 3:47 Thursday, May 24, 2007 |


    A fracture
    releases light
    only he sees. The
    dust from rupture
    sparkles and dances
    in the air
    of the atelier -
    nothingness refracted
    into colour.
    Here is life,
    he breathes it in,
    and rues another mistake.
    No longer sheer
    or clean facet,
    a slip of the scaif
    costs dear.

    Craft? What craft is
    in cracks and snicks?
    Outside,
    in the filth of the bin,
    the jeweller’s rejected
    stone lies among chipped
    sapphires and zircon:
    an infinity of prisms
    unknown, a life
    in imperfections.
    Sanjay

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    "Auld lang syne" (Burns) Friday, May 18, 2007 |

    Cock-o-leekie, a dram, the blessing
    Of spiced sheep entrails. Oriental, alien,
    I celebrate the poet's death
    In Mughal sequins and tartan socks.
    "Should auld acquaintance be forgot" he muses

    Over ancient whisky. "It's good to see you":
    Honest sentiment whose glass words lash my throat.
    How I cut you in days passed! shameful
    Insults over your clothes, dismissive reproofs
    For stuttering through a familiar page.

    Yours was a silent suffering, a martyr's fate,
    The most painful kind. On cruel April days
    Muddy-kneed cherubim cursed your cricket:
    Bowling like a spak, batting like a prat.
    When I hid in darkness, did I hear the cries,

    Exasperated, "Eloi, Eloi, lema sabbachtani"?
    Surely I saw a boy, crouched under a tree,
    Clutching a clarinet, composing songs for distant God?
    So this is grace: a party for a bully,
    A calf for a fugitive, a life for a death.

    Sanjay

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    The Sculptor |

    I am, I suppose, guilty
    Of Pygmalion's vice; giving licence
    To my eyes - impounding reason,
    Reality. This is the truth:
    A darkened room, a minor chord,
    A handcuffed voice. Downstairs
    My weeping statue into whom
    The gods breathed life.

    Is this Galatea the reward for my prayers?
    Create in me a pure heart
    That does not crave her kisses
    But lives to find a love that passes feeling:
    A Truth on which I can depend
    And build a faith.

    Sanjay

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    "Youth and Young Manhood" (Followill, Followill, Angelo) - 37:53 |




    And I thought of pine forests' wooden perfume
    Whispering from twig to bark to stolid air.
    Cars gush from city to city and ignore
    A lost boy, treading through dead cast needles,
    Staring upwards towards a worldly constellation;
    Flecks of sun crack the thick canopy,
    Light plays with dark, day struggles against dusk.
    A rasp of wind plays a shrill rhythm,
    Rattles nature's arrested orchestra.

    Violent sounds wrestle bleak shadows,
    Seizing this innocents gaze. Come, kind yeoman,
    Bring your order to this impossible wilderness!

    The boy squints to see a ramshackle barn
    Where sits the farmer's feast - God's harvest
    Of grain sullied by smut.
    Sanjay

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    Standing Girl, 1910 |

    Writhed and rusted,
    she stands for now.
    Spent eyelids, ice blue,
    stuck on sullied skin;
    this dun visage is
    the colour of vice.

    In the shallow pocket
    of a threadbare ruffled jacket
    cower the two sweets which bought this child.
    Robbed of life by eager hands,
    she is barely human - a collage
    of bone and dirt. Outside,
    she gazes at another stranger
    and seems to say, with a prostitute's innocence,

    "Come on"

    Sanjay

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    Murcia |

    The sky arched about my head:
    A dome of blue sitting upon Murcia's dust
    Cradling life in atmospheric hands,

    As if protection from the space's chaos,
    A cocoon, a casque. It takes me back
    To the Baker Street planetarium,

    The painted ceiling an illusion of eternity,
    Every star just the speck of a brush,
    Every nightfall the touch of a switch.

    Sanjay

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    “A Weekend in the City” (Okereke, Lissack, Moakes, Tong) – 51:50 |


    And all the smoke of the polis descended
    Onto the band: synthetic drops and screeches,
    All the hiss and creak of the city
    Burnt onto a CD. Yours is the music
    Of cigarette ash on a sterilized floor,
    The concrete, balconied Babel
    Calling back the peoples of the world
    To a place that will never be home.

    A man looks to the heavens. A plane roars
    To God knows where, but here, on Earth,
    It is silent, air has stolen the sound.

    He is another man. It is another plane.
    This is another tower, and our language
    Is a machine screaming in the dark.

    Sanjay

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    "No Joy in Mudville" (Gibbard, Harmer, Walla) - 6:03 |


    Turning
    Right where I should have held firm,
    The car stereo's chime recounted
    A long forgotten story. I headed west
    Towards a doleful road;
    Its single carriageway piercing
    Dead, February-ravaged elms,
    A world cast in frost.

    The soft call of the xylophone
    Played hop-scotch with my journey home
    Home, rejecting order
    To tread lightly on foreign memory.

    Midday
    Of song, my headlights,
    Full-beam, stab the dark of night.
    Light falls on your face:
    Welcoming, among a crowd
    Of pained statues.
    The darkness will envelop again,
    My dear, and again you will disappear
    Out of reach.

    This feels like the beating heart
    Of a vascular emotion, its destructive vein
    Etching a valley into a reluctant range,
    An unwanted trailblazer. Rust streetlights
    Mark the end of this detour. Ahead,
    A familiar road - well trodden,
    Fallow - and a red light.

    Sanjay

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    About the authors

    "Sanjay's poppa was a rolling stone. Furthermore, he was born in a crossfire hurricane, which makes family reunions quite difficult; stones, hurricanes, sacks and all."

    "Jac is an english student. He likes to think he can write. He hosts a webcomic about an English Student who likes to think he can write. He really needs to get out more."

    All the original works on this site are copywrite of the respective artists. Jon Clewes & Sanjay Patel, 2007

    Who links to me? The Webcomic List